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Writing Dialogue for Scripts (Writing Handbooks)

Writing Dialogue for Scripts (Writing Handbooks)

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Author: Rib Davis
Publisher: A & C Black Publishers Ltd
Category: Book

List Price: £11.99
Buy New: £10.41
You Save: £1.58 (13%)



New (3) Used (6) from £8.00

Avg. Customer Rating: 4.0 out of 5 stars 5 reviews
Sales Rank: 267064

Media: Paperback
Edition: 2Rev Ed
Number Of Items: 1
Pages: 160
Shipping Weight (lbs): 0.5
Dimensions (in): 8.5 x 6.5 x 0.6

ISBN: 0713663804
Dewey Decimal Number: 808
EAN: 9780713663808
ASIN: 0713663804

Publication Date: March 31, 2003
Availability: Usually dispatched within 1-2 business days

Also Available In:

  » Paperback - Writing Dialogue for Scripts (Books for Writers)
  » Paperback - Writing Dialogue for Scripts: Effective Dialogue for Film, TV, Radio and Stage (Writing Handbooks)

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Customer Reviews:

5 out of 5 stars Gets to the heart of dialogue   July 1, 2008
This is not a book about screenwriting but a book about dialogue and one which does the job excellently. I heartily recommend this to anyone interested in understanding the way speech works and how to transfer that speech into script dialogue that will come across as dynamic.


5 out of 5 stars Very useful book   March 3, 2006
This is a great book. It gives great advice on how to write good dialogue dealing with many different styles of dialogue and how it changes between the different mediums of theatre and screen. The writing style is very easy to understand with no jargon being used without being first explained. I started around the same time that I bought this book and can see a clear difference in the quality of dialogue at the beginning and where I am now which shows just how useful this book is. I would reccommend this to anyone wishing to improve their skills at writing good dialogue for scripts.


1 out of 5 stars Really bad   March 21, 2002
 14 out of 27 found this review helpful

Do not buy this book! It is a waste of money. There are a lot of books on screenwriting. Some are good. Some are bad. This is not a good one. If you are interested in writing film/short films then stay away from this really terrible book. This book is about writing dialouge for PLAYS/not film/not radio. The author writes plays and pretends he writes screenplays. He has only been a script reader. Look, if you want to write plays - then buy this book. But if you want to write for film - do not buy this book!


5 out of 5 stars If you want to write good dialogue, buy this!   April 30, 2001
 12 out of 12 found this review helpful

An excellent book. The author begins by exploring how people really talk, then moves on to examine how we need to adapt this when writing fictional dialogue, to retain the essence of realism without the boredom factor. He goes on to look at the different styles of dialogue, from realism and heightened realism to the highly stylised dialogue written by people such as Oscar Wilde. Fascinating stuff, with gems of relevant info on every page.

Unlike many books on fiction writing, the author does not talk down to the reader. Neither does he include general fiction-writing info which is not strictly relevant to the title of the tome - a huge bonus, since it can be irritating when every fiction-writing guide you pick up, whatever its professed subject matter, tells you the same fundamental stuff you've read a thousand times before. Full marks for sticking to the subject and covering it in depth, rather than padding it out with "general" writing tips.

I strongly recommend this book.


5 out of 5 stars Shows you how to improve dialogue and avoid the many traps   January 23, 2001
 12 out of 12 found this review helpful

Although primarily aimed at scriptwriting, this book reveals how inexperienced writers tend to come out with atrocious lines when they attempt dialogue. The author presents good examples of the common pitfalls. I particularly like the section in Chapter Four when he examines a stretch of crap dialogue and then proceeds to fix the material up. I found this kind of practical advice very useful. In comparison,Stephen King's recent book on writing is a disappointing swindle.


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