Amelie [Original Score]

Yann Tiersen had already produced three albums before he was approached by director Jean-Pierre Jeunet to compose the music to his new film Amelie (which had juxtaposing themes of playful giddiness and bitter melancholy that seemed perfectly suited to the kind of music that Tiersen creates so effortlessly), and the recording of these songs overlapped with the writing and recording of his forth solo-album proper, L'Absent. As a result of this, a number of tracks found in instrumental versions here (Les Jours Tristes, A Quai, Le Moulin) can be found fleshed out on L'Absent (...Tristes for example is turned into a great melancholic pop song with vocals from Neil Hannon).

If you have heard any of these Tiersen solo-albums or, in fact, seen Jeunet's film, you will undoubtedly have a good idea what to expect from the style of music featured. Tiersen creates tuneful, melodious little pieces thick with atmosphere & grace, employing a wide range of both contemporary and traditional instrumentation (all of which he plays himself) from guitars, drums and bass, to strings, accordions, pianos, harpsichord, music-boxes, & more. The compositions are practically overflowing with the feelings of ecstatic excitement or downbeat romanticism, as Tiersen manages to convey a mood that captures the essence of the film and holds the listener in a trance for it's entirety.

This is one of the best soundtrack albums available (up there with some of Michael Nyman's very best) and, if you appreciate the musical greatness of this, then might I suggest that you track down Tiersen's other studio albums, and his soundtrack to that excellent German film, Goodbye Lenin! ...all of which, are excellent.