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You've Got A Friend: The Best Of James Taylor

You've Got A Friend: The Best Of James Taylor

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Artist: James Taylor
Label: Warner Bros.
Category: Music

List Price: £11.99
Buy New: £5.43
You Save: £6.56 (55%)



New (50) Used (7) from £5.43

Avg. Customer Rating: 5.0 out of 5 stars 10 reviews
Sales Rank: 712

Media: Audio CD
Discs: 1
Shipping Weight (lbs): 0.3
Dimensions (in): 5.6 x 5 x 0.5

MPN: 73837
UPC: 081227383725
EAN: 0081227383725
ASIN: B00007IT8S

Release Date: April 2, 2007
Availability: Usually dispatched within 1-2 business days
Condition: Brand New - Factory Sealed - Shipped from Florida via USPS First class mail. We ONLY sell what we have in stock. NO back orders here.Import Edition

Tracks:

  » Something In The Way She Moves
  » Sweet Baby James
  » Fire And Rain
  » Country Road
  » You've Got A Friend
  » You Can Close Your Eyes
  » Long Ago And Far Away
  » Don't Let Me Be Lonely Tonight
  » Walking Man
  » How Sweet It Is (To Be Loved By You)
  » Mexico
  » Shower The People
  » Golden Moments
  » Steamroller
  » Carolina In My Mind
  » Handy Man
  » Your Smiling Face
  » Up On The Roof
  » Only A Dream In Rio
  » Bittersweet

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Editorial Reviews:

Amazon.co.uk Review
Any good singer can interpret a song, but it takes a stylist to make it his own. James Taylor is a stylist. You've Got a Friend obviously can't chronicle much more than the hits and high points of Taylor's career, but it nonetheless captures the artistic essence of a performer who's become a virtual synonym for "singer-songwriter" since his emergence in the late 1960s. A lot of ink has been spilled ruminating about Taylor's role in soothing a 60s-burned generation, but given his own well-known demons (depression, addiction) his gentle voice often sounds like the physician wisely healing himself. His muse seems fully formed from the opening "Something in the Way She Moves", a track cut for the Beatles' Apple label in late 1968 (and one that seems to share some symbiotic relationship with George Harrison's own classic "Something" from the period), its tone at once familiar and inviting--if ripe for a few decades of parody--as it wends its way from his seminal early-1970s hits through a slate of later originals, R&B ("How Sweet It Is", "Handy Man") and pop ("Up on the Roof") covers. Tellingly, he delivers those chestnuts with an offhand confidence and illumination that makes them his own, a sense that informs even his jazz and Brazilian ("Only a Dream a Rio") flirtations. The set's newly recorded bonus cut, John Sheldon's "Bittersweet", is a pleasant pop confection that showcases Taylor's knack for being laconic and upbeat in the same breath. --Jerry McCulley


Customer Reviews:   Read 5 more reviews...

5 out of 5 stars Up On The Roof   September 25, 2006
 11 out of 12 found this review helpful

This is a great album; as soon I listened to the first song I was hooked on this man, I listened to this cd for a month non-stop; his voice has something in it which I could never tire of hearing again and again; every song on here is a gem; Steamroller and Mexico spring to mind as two of the best on this cd; an utter joy to listen to anytime of the day.


5 out of 5 stars Taylor made for success   December 23, 2005
 14 out of 14 found this review helpful

I've been a fan of JT since Sweet Baby James, Mud Slide Slim and One Man Dog all still played on vinyl - though "You've Got a Friend" is slightly blurry as I've worn the groove down! Saw him a few years ago at Cambridge Folk Festival and was surprised how similar his voice was. It has changed little over the years - remarkable given his track record. However, he has less hair!! This album can quite rightly claim to be the best - at least it has all my favourites on many of which I only have on vinyl. It's great for playing lazily at home or on the car CD. Do yourself a favour and buy it. You'll never regret it.


5 out of 5 stars A great introduction to James Taylor's music   April 15, 2005
 27 out of 34 found this review helpful

James was born into a wealthy family but that didn't shield him from life's problems including drug addiction and depression. Perhaps these problems ultimately helped him to succeed in the often strange music business - the song that first established his reputation (Fire and rain) is autobiographical and could not have been written by a man without any worries or problems.

James, though born and raised in America, made his first recordings in London for the Apple label in 1968. The resultant album was a flop at the time although it contained some fine songs including Carolina on my mind (here in a 1976 re-recording) and Something in the way she moves (the Beatles classic). Peter Asher, formerly of Peter and Gordon, began his career as a record producer with Apple and James Taylor's album was among his earliest productions. James returned to America following the album's failure. Peter also moved to America after quitting Apple and secured an American recording contract for James, in whom he still had faith.

James had far greater success with his first American album, Sweet baby James. The outstanding song was the aforementioned Fire and rain. Only a minor UK hit, it was a much bigger hit in America, where it catapulted him to superstardom. His next album, Mud slide Slim and the blue horizon, yielded another huge American hit - You've got a friend, which also made the UK top five and remains his only major UK hit. Indeed, James only had one more UK hit after that (Mockingbird - see later).

One-man dog, his third American album and fourth altogether, yielded another American hit, Don't let me be lonely tonight, which failed to chart in the UK. After that, Peter Asher switched his production efforts to Linda Ronstadt, with whom he had even greater success, while Carly Simon rescued James from his loneliness (at least for a few years). They married and also recorded a duet - Mockingbird, a cover of the R+B classic by Charlie and Inez Foxx, made the American top five but is conspicuous by its absence from this set.

James never quite reached the same level of brilliance again (even when he teamed up with Peter Asher again in 1978) although his later music is still worth hearing. He continued to have American hits, but with covers rather than original material. His cover hits included How sweet it is (Marvin Gaye - or Junior Walker), Handy man (Jimmy Jones) and Up on the roof (originally an American hit for the Drifters, it became a UK top ten hit for Kenny Lynch).

This compilation, focusing on his seventies music but including one newly recorded track (Bittersweet) contains all the essential James Taylor tracks except Mockingbird so if you only want one collection of his music, this is a good choice. Buy a Carly Simon compilation for Mockingbird - and plenty of other great music.


4 out of 5 stars Excellent   February 27, 2004
 10 out of 11 found this review helpful

Originally I bought this CD for my Dad at Christmas. However, having listened to it before giving it to him, I was suddenly asking myself whether I should keep it or give it to him. I particularly love the song, "Handy Man" but the rest of the album is extremely listenable. Buy this!


5 out of 5 stars Long live JT!!!!!!   December 31, 2003
 16 out of 16 found this review helpful

What can i say, other than he's one of the greatest artists in contemporary music! Each and every single one of his tracks in this album brings some memory, some important date, some discovery, some period of my life. His songs are evocative, intelligent, funny, his voice is full and he managed to capture a time to perfection. Though i find it hard to be subjective, i will say that this album contains material from his best era; what he produced later in the 90s does not match his earlier work, so on that basis, i'd say go ahead and buy it and, like some other person reviewed here, smile while you listen to Walking Man...and let yourself go with Shower the people..!


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