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Intensive Care | 
 enlarge | Artist: Robbie Williams
Label: Chrysalis
Category: Music
List Price: £11.99
Buy New: £0.05
You Save: £11.94 (100%)
New (83) Used (82) Collectible (3) from £0.01
Avg. Customer Rating:  106 reviews
Sales Rank: 3072
Format: Explicit Lyrics
Media: Audio CD
Discs: 1
Shipping Weight (lbs): 0.2
Dimensions (in): 5.4 x 4.9 x 0.4
UPC: 094634182324
EAN: 0094634182324
ASIN: B000B5UL7G
Release Date: October 24, 2005
Availability: Usually dispatched within 1-2 business days
Condition: EXCESS STOCK SOURCED FROM MAJOR UK RETAILER,DISPATCH IN 3-4 WORKING DAYS
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| Tracks:
| » | Ghosts | | » | Tripping | | » | Make Me Pure | | » | Spread Your Wings | | » | Advertising Space | | » | Please Dont Die | | » | Your Gay Friend | | » | Sin Sin Sin | | » | Random Acts Of Kindness | | » | The Trouble With Me | | » | A Place To Crash | | » | King Of Bloke And Bird |
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| Editorial Reviews:
Amazon.co.uk Review
Stoke's favourite son's sixth studio album marks a new stage in the career of Mr Robert Peter Williams, Britain's favourite popular entertainer. Severed from his former right hand man, songwriter Guy Chambers, Intensive Care sees him forging a new partnership with former Lilac Time stalwart Stephen Duffy.  The result is his most complete album to date, free from the gimmicky fillers--like "Me and My Monkey" and "Jesus In A Camper Van"--that tended to drag previous efforts down.Never short of cocksure bravado, Robbie starts proceedings off with a modest declaration—"Here I stand victorious, the only man who made you come", but for once he's got the tunes to back up the posturing. There're plenty of classic Robbie tracks, from the ballad-tastic "Advertising Space"--which should see "Angels" relegated to the backbenches--to the public confessional of "The Trouble With Me"; plus some daring departures in between, from the '80s pop fun of "Sin Sin Sin" to the Rolling Stones-a-like "A Place To Crash", via the Oasis-lite of "Make Me Pure" and the Smiths-esque guitars on "Your Gay Friend". You can't help but feel that Mr Williams has a point to make with this album, to all the people who said he'd be nothing without Guy Chambers; if that is the case, he couldn't have gone about it a better way than by serving up the best album of his career to date. --Melanie Wilkin More to Explore |  |  |  |  | Greatest Hits (CD) | Live at Knebworth (CD) | | |
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| Customer Reviews: Read 101 more reviews...
 On sale for 1p on Amazon. Enough said November 4, 2007
0 out of 1 found this review helpful
EMI paid the Take That star 80 million for a 4 album deal/ contract. It is second only in value to the colossal 625 million deal offered to Michael Jackson by Sony in 1991.
With the British Phonographic Association announcing UK record sales were down 15.4 per cent earlier this year and EMI suffering a 40% fall in profits, record labels have looked for other ways to cash in on their artists.
It is a risky strategy for EMI and I think Robbie Williams will sink EMI the same way as the mighty Michael Cimino sank UA studios with "Heavens Gate". At least Cimino is talented, I cant say the same for Robbie Williams.
In 2001, EMI signed a five-album deal with the US singer Mariah Carey worth 70 million but, when her first release, Glitter, flopped in the charts, the company was forced to buy themselves out of the contract, paying Carey 20 million.
Williams is considered a safer bet, despite being in his late-twenties and no longer appealing to the pre-teen market which makes up the largest section of the record-buying public. His last bestselling album was the big-band compilation, Swing When You're Winning, which showed he cannot sing, and he is capable of appealing to an older market and people who are deaf.
 King of The Bland offers more of the same June 30, 2007
0 out of 1 found this review helpful
Like a performing pop monkey, Robbie always manages to keep going, some kind of gurning, self-depreciating, self-loathing hero who just can't help making pop music, despite himself.
All hail king of the bland. I don't get Robbie Williams success musically at all. I've listened to the albums. I'm willing to admit that there's a reasonable pop talent there - better and more articulate and more interesting than a million forcefed diva puppets. But greatness? No. Robbie will never be great.
Robbie will always be, at best, a famous person who makes records. Not someone who makes records who happens to be famous. And this is the immense gulf between the two.
Robbie sells not because he is good, but because he's Robbie Williams. He's that geezer what sung "Angels", and we all love him. Geez. How hard is it exactly, to be incredibly rich, and be able to have anyone you want, and not be able to walk down the street?
"The ultimate sanction of those in the public eye is withdrawl" - Paul Morley.
And yet, Robbie can't disconnect. He. Cannot. He needs the touch of the crowd like a junkie needs a fix. He can't let go. And so, with his carefully packaged team and image, the ever daring Robbie dabbles with some kind of pop reggae and stadium platitudes that rarely step outside of the bland musical box he's put himself into and wound himself up inside.
The opening "Ghosts", like any Robbie song manages some kind of vaguely clever wordplay, mixed with charmless arrogance and a featureless backing track. Whilst not the McDonalds of pop, Robbie comes close in formulaic massproduced loathing. Robbie - for people who think Blue are just a little bit boring.
I know he's a star, and yet, I find it difficult to tell the songs apart, or even care. The only time I can really tell songs finish is when there's some silence. "Tripping" manages to spotweld an almost memorable chorus with some lyrics about people who've done `Bird', and the kind of music that UB40 would buy off Max Thingummy so they could crack the charts once again.
"Make Me Pure", "Spread Your Wings", "Please Don't Die", "Random Acts Of Kindness"- these are the type of titles that wouldn't be out of place on a Bette Midler album. Musically they're about the same : pop music for people whose passion for art is akin to their interest in what type of food they eat. They don't care. I'll buy some music. Robbie'll do.
In fact, it's two songs that were originally destined for Robbie's longmooted PureFrancis alter-ego that are by far the best things here : "Your Gay Friend" and "Sin Sin Sin" are easily the most interesting things on the album by an enormous margin. In the same way that 2004's "Radio" was an intruiging left turn, these two semi-disco epics are enormous, brilliant, and bizarre. Sadly, it's over too soon in favour of old fashioned stadium rock that would shame even Bon Jovi.
In the end `Intensive Care' is homogenous sludge with a singer that hints at a potential for being interesting that his recorded career has only seen glimpses of. If Robbie cut loose of his traditional writing team and investigated the musical leftfield, he could achieve the greatness he obviously aspires to.
I'm bored........ March 24, 2007
14 out of 24 found this review helpful
Yes, bored. Bored of this ego maniac, devoid of talent who has hung around far too long. I mean if someone like Robbie Williams came out with one or two bland pop albums, had the usual collections of kids, housewifes and philistine's purchase it and then disappear back into the obscurity he came from that would be acceptable. But no, here he is something like ten years after leaving a boy band where he played the part of 'chubby dancer' churning out corporate pop music of which his input is about 3%, oh and giving the odd 'look at me I'm so tortured' interview (one of which took place in the same week he was spoted at a charity football match laughing and high fiving his fellow light entertainment bores Ant & Dec) and the masses still gobble it up like starving dogs.
I really do despair, but there again I'm even annoyed with myself for bothering to write this!
 Excellent body of work February 3, 2007
5 out of 12 found this review helpful
This really is a great album and, in my opinion, Robbie's finest. He really has arrived as an excellent singer/songwriter. The lyrics are truly brilliant and the best he has ever written. There are various highlights on this CD: Ghosts, Tripping, A Place to Crash, Advertising Space and Please Don't Die.
One of my favourite adult contempory albums.
There Is Dignity in This September 4, 2006
11 out of 17 found this review helpful
I purchased this album to have some fun when driving my son of 3 years as I thought he would love the joyful tunes of some tracks like "Sin Sin Sin" and "Trippin"... I was right, he loved it... However it was to my suprise that there was more than to that. After having listened the entire album over and over again I found a lot of things for me too... Lyrics of almost all tracks are very good and the contribution of Stephen Duffy on guitars and Matt Chamberlain on drums are wonderful. Also strings arrangements are excellent.
Eventhough I like some of his earlier works I used to categorize Robbie Williams as a commercial star of the music industry. I do not think this way any longer.
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